Mona Ahmadi, Saeid Changizian, Leyli Rashidi et la participation filmée de Juliette Rezai
INTERNATIONAL IRAN
Focusing on the theme of collapse, Summerless takes audiences into the playground of an Iranian primary school in a poetic and political play directed by Amir Reza Koohestani.
Three people; a primary school supervisor, her ex-husband whose job it is to paint over the revolutionary slogans covering the walls of the schoolyard and a young socially isolated mother, who arrives an hour early every day to collect her child from school. Day after day for nine months, these different characters strike up conversations, until the day the artist gets into trouble over his paintings… A far cry from the naturalism of traditional Iranian theatre, Amir Reza Koohestani uses a metaphoric approach in his plays, which are both poetic and critical. In Summerless, the director addresses the prohibitions and inequalities that weigh heavily on his fellow citizens playing on the theme of collapse: the collapse of walls, of the education system and of desire… He examines the sociological and political transformations that are shaping history of his country.
Direction – Amir Reza Koohestani / Scenography – Shahryar Hatami / Creation and video control – Davoud Sadri, Ali Shirkhodaei / Light creation – Xavier Lauwers / Sound – Ankido Darash / Costume designer – Shima Mirhamidi / Director’s assistants – Mohammad Reza Hosseinzadeh, Mohammad Khaksari
Production: Mehr Theatre Group
Coproduction: Kunstenfestivaldesarts – Bruxelles (Belgique), Festival d’Avignon, Festival delle Colline Torinesi / Fondazione TPE – Turin (Italie), La Bâtie – Festival de Genève (Suisse), Künstlerhaus Mousonturm – Frankfurt am Main (Allemagne), Théâtre national de Bretagne, Münchner Kammerspiele (Allemagne), La Filature – Scène nationale de Mulhouse, Théâtre populaire romand –Centre neuchâtelois des arts vivants La Chaux-de-Fonds (Suisse)
With the support of Onda
“Le metteur en scène joue habilement de la vidéo pour donner forme à la peinture et aux souvenirs qui s’effacent, au passé qui disparaît et au futur qui prend forme”. Inferno Magazine
“Dans le sublime Summerless, le metteur en scène prend pour cadre une cour de récréation pour livrer un portrait en transparence des filles en Iran”. Libération
“Dans Summerless l’auteur et metteur en scène Amir Reza Koohestani s’immisce dans l’apparente banalité du quotidien pour rendre compte en filigrane de l’état du monde iranien, tout en retenue et en statisme”. Sceneweb